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| '''Ichi the Killer''' ([[2001]]) is the English title of the Japanese movie '''殺し屋1 / Koroshiya Ichi'''. Based on the manga Koroshiya 1 (Koroshiya Ichi) by Hideo Yamamoto, the film was directed by the legendary [[Takashi Miike]]. | | [[File:Brandkhealedcopy.jpg|thumb|250px|right|Healed strike brands also repeated on the opposite side]] |
| | '''Marc Pinto''' has owned and operated '''Primitive Body Piercing''' and before that '''Two Feather Body Piercing''' since the early nineties in Perth, Western Australia along with his wife Ela. Marc is a Master piercer having trained under [[Fakir Musafar]], is a traditional [[Hand tattooing| hand tattooist]] and an innovator of Fine-Line [[Branding|branding]]. |
| | Marc also travels to Borneo regularily to tattoo tribespeople in that region and search for inspiration for his art. |
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| While in many respects a traditional Yakuza film depicting an objectionably lawful man's world of sex, violence and honor, ''Ichi the Killer'' actively questions the motivation of sexuality and violence within this world. Title character '''Ichi''' (Nao Omori) is a sadist only driven to arousal by the helpless desperation of women in need and can only be sexually satisfied by violent murder.
| | == Links == |
| | | * [http://www.marcpinto.com/ Official site] |
| Many modification practices are featured in the film. The lead character '''Kakihara''' (Tadanobu Asano) is a [[Yakuza]] masochist. Allusions are made throughout the film that Kakihara is only loyal to the Anjo gang because he is completely in awe of his gang boss and the violence Boss Anjo could give him. His face bears three long [[Scars|scars]], presumably gifts from his boss, and he has a very fetching ''razorblade smile''— the corners of his mouth are cut open as far as his cheeks—which is held together by a pair of [[Cbr|cbrs]]. Kakihara also has a [[Tongue rim piercing|tongue rim piercing]], which at one point in the film is removed along with part of his tongue as an act of [[Yubitsume|yubitsume]]. Kakihara's quest for Boss Anjo, at first an obsession of love, soon becomes a quest to find the man who could cause such pain to his beloved sadist boss, for certaintly this man could cause Kakihara the greatest pain (pleasure) of his life.
| | * [http://bmezine.com/media/all/scar/scarport/mscar/marc-pinto/ Marc's scarification portfolio on BME] |
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| [[File:Ichi.jpg|thumb|center|495px|]]
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| There is also a prominent scene in the film where Kakihara tortures another gang's member with the assistance of a [[Superman suspension|superman suspension]] and some [[Cheek skewering|cheek skewering]], convinced through misinformation that he knows the whereabouts of Boss Anjo. [[Nipple removal|Nipple removal]] and [[amputation]] also featured in the movie. As with many newer [[Yakuza]] epics, ''Ichi the Killer'' questions the social definition of Yakuza culture as a heteronormative, masculine, outlaw culture steeped in deep traditions of honor and piety. While many other films (some by Miike) have questioned the sexual motivation within Yakuza families as homosocial, ''Ichi the Killer'' is one of the first films to suggest that Yakuza sexuality could be of a purer [[BDSM]] relationship, devoid of sexual penetration altogether.
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| == Trivia == | |
| * The opening credits involve a voyeuristic Ichi spying on a man beating a woman. When discovered, he runs off leaving a puddle of [[semen|semen]] on the doorstep, from which the film title emerges. Miike confirms that it was real semen. | |
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| ==Related Articles==
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| * [[Masochist]]
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| * [[Japan]] | |
