EREBLI and Hokusai: Difference between pages

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[[File:EREBLI.jpg|right|250px]]
'''Katsushika Hokusai''' (1760-1849) was born in Edo (now Tokyo). A prolific artist, he painted, designed prints, illustrated books and is one of the masters of the Japanese Print (Ukiyo-E).


''Extreme [[CBT]] artist''
His work is a major influence on nearly all of Japan's traditional [[Tattoo|tattoo]] movement with many of his stylistic interpretations instantly recognizable.


'''Erebli''' is the alias used by the star of the movies "EREBLI-3377-JR", "PETESTOR II", and the very rare "EREBLI TOO" film. His tortures include pounding huge nails through his testicles and a unique "tie-off torture." All of his tortures are done in secret while his wife is away. He is careful to cover his wounds with makeup before her return so as not to upset her.
He was one of the first major Japanese artists to break away from urban scenes and produce landscapes, and in keeping with his unorthodoxy he turned to the west for influence. He was an admirer of the French painter Manet and they enjoyed a relationship of mutual learning with each other, Hokusai teaching Manet by example and Manet sending blue inks that were not available in Japan in return (see "Beneath the wave off Kanagawa," below).


In addition, the word "erebli" has come to be used as a synonym for some of the heavier forms of CBT.
<gallery>
File:Hokusai.jpg|Hokusai's most famous work "Beneath the wave off Kanagawa" showing what was to become "typical" Japanese tattoo style water. This is also the blue ink that was sent to him by Manet.
File:HokusaiWaveTat.jpg|Tattoo literally based on Hokusai's work.
</gallery>

Latest revision as of 05:03, 17 September 2023

Katsushika Hokusai (1760-1849) was born in Edo (now Tokyo). A prolific artist, he painted, designed prints, illustrated books and is one of the masters of the Japanese Print (Ukiyo-E).

His work is a major influence on nearly all of Japan's traditional tattoo movement with many of his stylistic interpretations instantly recognizable.

He was one of the first major Japanese artists to break away from urban scenes and produce landscapes, and in keeping with his unorthodoxy he turned to the west for influence. He was an admirer of the French painter Manet and they enjoyed a relationship of mutual learning with each other, Hokusai teaching Manet by example and Manet sending blue inks that were not available in Japan in return (see "Beneath the wave off Kanagawa," below).